SIDDI DANCES
(Dances performed by the Siddi tribe, ಸಿದ್ದಿ
ಕುಣಿತ)
Siddis constitute a tribal
community, which migrated to some regions of
DamAmi kuNita and pugaDi
kuNita are the dance forms specific to Siddis. But they also entertain
themselves by resorting to local dance forms such as alAvi dance (among Muslim
Siddis) and gumTe pAngu. (hAlakki community) This note
gives a brief account of the two forms that are specific to them.
Damami kunita (DamAmi kuNita) (ಡಮಾಮಿ ಕುಣಿತ): This
dance is usually performed during the Navratri. More importantly it is
performed also during the festivals celebrated to honour their ancestors and
elders. Damami the musical instrument that provides the background score to the
dance in not used by any other Indian community, according to some scholars.
However, there is a mention of this percussion instrument in the work 'Natyachudamani' by Somanarya. Somanarya is believed to have lived during the reign of King Achyutaraya
of the Vijayanagara empire in 1540 A.D. Helmut K. Anheier who has done extensive research about the Siddis
present in
Women or men in women’s disguise perform the dance when a
man plays on Damami. The dancing women carry either peacock feathers or a
coconut (called mucAke) in their language. This practice of holding a coconut
during a dance also harks back to ancient times. Occasionally these dancers are
visited by divine powers and they are then invested with devine powers to resolve
the problems faced by the community members. Siddis belonging to Islam perform
alAvi dance also. Siddis of Gujarat perform another famous dance known as
Dhamaal dance.
Pugadi
Dance (pugaDi kuNita) (ಪುಗಡಿ ಕುಣಿತ): This is a dance form borrowed by the Siddis from the fishing
communities and gauLiga (Cowherd) communities of Norh Canara. This dance is
performed by even number of women who hold an earthen vessel (koDa) and blow
into it while dancing. The dance is performed with a background score provided
by another similar vessel (koDa) and gumaTe usually played hAlakki okkaliga
community. This is mainly performed during the Ganesha festival as also on
other re creative occasions.
Further
Readings and Links:
1.
‘From Africa...To Indian Subcontinent: Sidi
Music in the Indian Ocean Diaspora.’ By Amy Catlin-Jairazbhoy, in close
collaboration with Nazir Ali Jairazbhoy and the Sidi community. DVD-R., 2003. ISBN
1880519291.
2. The Siddhi
Communitys". K.L.Kamat. Kamat's Potpourri. http://www.kamat.com/kalranga/people/afro-indians/siddis.htm.
Retrieved 2007-07-20.
3.
The
African Connection K.L.Kamat. Kamat's Potpourri. (Photographs)
4.
‘Conflicts and tensions’ by Helmt K. Anheier and
Yudhishtir Raj Isar, 2007, SAGE publishers.