TOGALUBOMBEYATA (Leather Puppetry)
Togalubombeyata
(togalu bombeyATa) (ತೊಗಲು
ಬೊಂಬೆಯಾಟ) is a
theatrical performance which involves the production of the movement of the
shadows of colored dolls painted on a thin sheet of leather, An entire episode
taken out one of the well known epics of India is presented almost through out
the night with the help of leather puppets. This art is practiced extensively
in almost all parts of Karnataka except the coastal region. However leather
puppetry is a pan Indian phenomenon prevalent in most of the Indian states of
course with unique regional characteristics.
This is an art which is practiced in
Karnataka by a particular community called ‘Killekyatha”. (kiLLekyAta) (ಕಿಳ್ಳೆಕ್ಯಾತರು) They
are also called ‘gombe rAmaru’ and ‘siLLekyAtaru’ and ‘kaTabaru’. These artists
are essentially nomadic. ‘kiLLEkyAta is also the name of a particular puppet
character. The head of a family and the family members constitute a troupe of
performers. This art is not associated with any ritualistic act and the
performances are basically re creative. The language spoken by this community
has similarities to Marathi and it is surmised that they might have migrated
from that state.
These leather puppets provide an excellent
example to the artistic tradition of Karnataka in painting. Hides of a young
goat or a deer are properly tanned and made in to thin, paper like material.
Organic dyes are used to paint various characters and objects on these leather
sheets. Gods, demons, kings and queens, soldier, chariot and palaces are some
of the puppets created in this manner. They are smeared with oil prepared with
native herbs to make them softer. The puppets are given stability by attaching
bamboo sticks at the right places. The puppets in interior Karnataka are two or
three feet tall where as those in the border areas of Andhrapradesh are almost
as tall as a human being.
Togalubombe performances are
accompanied by the songs sung by a chorus consisting of both men and women.
They delineate the relevant story. Instruments such as uppanga, mukhaveeNe,
maddale and harmonium are used to control the movements of the puppets.
The stage on which the puppet show
takes place is an elaborate structure. An area of about eight feet square is
made in to an enclosure with the help of bamboos. (The stage that is erected
for bigger puppets is almost 72 feet square.) The sides and the top part are
covered with clothes. The side facing the spectators has a thin white sheet of
cloth. The main artist who moves the puppets is concealed below the stage. When
he holds a puppet in front of a well lit lamp, its shadow is produced on the
screen. The movements of the puppets are manipulated by the artist. Even the
artists who provide the music are seated next to him. They deliver the
dialogues of the characters whenever the situation demands it.
The stories that are selected from
Ramayana and Mahabharatha have a prologue which consists of humorous incidents
enacted by kiLLEkyAta and bangArakka. The main stories are modified to suit the
needs and tastes of the spectators and consequently they acquire new
dimensions.
Some scholars have classified
togalubombeyata in to three broad categories called baDagalapAya, (
Togalubombeeyata
is truly one of the more attractive theatrical varieties of Karnataka and it
has gained a lot of reputation.
Further
1.
http://www.kamat.com/kalranga/art/puppets.htm
(An introductory article.)
2.
Leather
Puppetry in Karnataka/M.S. Nanjunda
Rao.
3.
(A
Video on Shadow Puppetry in Karnataka)
4.
Togalu
Gombeyaata ( A photograph from a performance)
5.
Puppetry in India by Elisabeth den Otter ( A detailed and illustrated introduction to
various forms of puppetry in
6.
www.webindia123.com/
7.
www.tribuneindia.com/.../