AMOGHAVARSHA NRUPATUNGA
Amoghavarsha Nrupatunga(814 A.D.-878 A.D.) is one of the most celebrated monarchs in the history of Karnataka. He
owes this distinction not merely to his military endeavors, but to his contributions
to the culture of Karnataka as also his role in formulating the concept of the
Kannada land. He belonged to the illustrious Rashtrakoota dynasty and succeeded
to the throne after his father Govinda-3. The copper inscriptions found in
Sanjana and
Nrupatunga had able
supporters in his uncle Kakka and his admiral Bankeya during a major part of
his career. The early period of his regime was strife ridden because of
adversaries both of the external variety and of indigenous origin. The
neighboring dynasties of Gangas, Gurjara Pratiharas and Pallavas were always
looking for an opportunity to upset the young monarch. Immadi Vijayaditya and
Shankaragana were his enemies from within. However Nrupatunga established
himself in no uncertain terms after decisive victories against Ganga Shivamara,
Vijayaditya of Vengi and Ganga Rachamalla (830 A D.) However the differences between the
Rashtrakutas and the Gangas continued untill a wedding between Chandrabalabbe a
daughter of Amoghavarsha and Bhutuga-1 a
Amoghavarsha had to contend
with his own son
The regime of Amoghavarsha
was not spent only in military activities. He was a great patron of culture and
a great visionary. His association with Sri Vijaya in the making of ‘Kavirajamarga’
is well documented. This treatise on poetics which happens to be the first
extant work in Kannada was earlier attributed to Nrupatunga himself. Even now
the work was composed with the explicit consent of the king.
(Nrupatungadevanumata) The enunciation of the geographical boundaries of the
Kannada land, abundant information about the culture and the history of Kannada
literature has made this work unique. Modern scholarship considers
Kavirajamarga to be one of the foundational texts of Kannada.
‘Prashnottara Malike’ a work
in Sanskrit is attributed to Amoghavarsha. Many important scholarly and
literary works such as Amogha Vrutti, A grammar by Sakaktayana, ‘Ganita
Sarasangraha’ by Mahaveeracharya, ‘Mahapurana’ by Jinasenacharya,
‘Kalyanakaraka’ by Ugraditya and Tattavartha Shloka Vardhika’ by Vidyanandi
were composed under his patronage. He was catholic by nature and encouraged all
religions.