SHAKTI WORSHIP IN KARNATAKA
The Indian system of beliefs refers to the female
aspect of divinity as Shakti - or the manifestation of energy. Parvati -
the consort of Shiva or Lakshmi the consort of Vishnu are enshrined in temples
all over
Different manifestations ‘shakti’ emphasize different
aspects of her personality. As Rajarajeswari or Kamakshi,
she is the Universal mother. As Uma or Parvati, she is the
gentle consort of Shiva.
As Meenakshi - she is the queen of Shiva. As Durga, she rides the tiger, and bears weaponry. In the angry and terrifying
form of Kaali, she destroys and devours all forms of evil. As Kaali, she is also the personification of time, her dark form being symbolic
of future which is beyond our knowledge. Tantric worship involving chants,
gestures and yantras (geometric shapes) also govern the worship of Shakti.
Local forms of Shakti,
not conforming to agamic or tantric rules are also widely prevalent throughout
the length and breadth of the region. Srichakra is a symbol of ‘shakti.
There are many places in Karnataka which are seats of
‘shaktipUje’. shirasingi, bAdAmi, sirsi, (mArikAmbA) uccangidurga, savadatti,
(yellamma) (rENukA) candragutti, huligi, cincili, Mysore, (cAmuNDi) Sringeri
(shArade), mALacidEvi pITha of hosUr, mahAlakshmi temple at doDDagaddavaLLi and
mangLUru (mangaLA dEvi) are some of them. mahAlakshmi
temple in Kollapura and BavAni temple in tuLajApura are in
‘Shakti worship’ and similar religious practices have
a long history in Karnataka. These practices which were essentially non-castist
and gender neutral were gradually assaulted by Vaidic systems of hegemony.
There was a running feud between the ‘shakta’s and the Vaidic forces. Shaktas
could gain entry into religious and royal portals. Tantric worships were
conducted by many kings belonging to Rashtrakuta, Sevuna and Chalukya
dynasties. Many titles held by these kings support this. These kings have
sanctioned generous grants of land for ‘kanyApUje’ and ‘yOgiNIpUje’.
Inscriptions found at kOlAramma temple at Kolar have documented it. Many
temples practiced regular worship in public and tantric-Agamic worship behind
the veil of secrecy. Some of the
philosophical songs (tattvada pada) composed by saints such as akkamahAdEvi and
shishunALa shariff are influenced by this tantric cult.
Even Jainism and Buddhism are influenced by the
ShAkta cult. The ‘yApanIya’ branch of Jainas avers that women also are eligible
for salvation and they were present in places like belagaum, bijApura, tumkUr
and maisUru. The ‘jvAlAmALini cult’ is associated with Jaina Shakta pantha. The
jvAlAmAlini temple built in Navalagunda by jayakIrti and and the basadi built
by lacciyabbe in Savadatti are significant. PadmAvati, kUSmAnDini and
jvAlAmAlini are Jaina Shakta Goddesses.
The ‘vajrayAna’ sect in Buddhism is tantric in origin
and ‘mantrayAna’ a secretive sub sect of vajrayAna practices dEvi
worship. It is said that ‘kadari’ near Mangalore and Shringeri were Buddhist
tantric bases long ago.
Tantric Shakti worship in Karnataka is not merely a
page from history. It is still being practiced in small isolated pockets
although in a secretive manner. However people throng to many of these seats
and perform regular worship.
Further
1.
‘Goddesses
in Ancient
2.
‘Shakta
monism: the cult of Shakti’ by Jadunath Sinha, 1966
3.
‘The
Devi, Shakta cult’ by O.C. Sharma and Omkar Rathi, 2008, National Publishing
House.