KRISHNA SHASTRY A.R., 1890-1968
Ambale Ramakrishnashastry
Krishna Shastry (ಅಂಬಳೆ
ರಾಮಕೃಷ್ಣಶಾಸ್ತ್ರೀ
ಕೃಷ್ಣಶಾಸ್ತ್ರೀ) is one of the most respected figures in the
renaissance of modern Kannada that was witnessed during the early decades of twentieth
century. His erudition, modernity of outlook and critical acumen were
invaluable at that juncture and his writings which were prolific and of high
quality are admired even to this day. He was a scholar, literary critic,
linguist, biographer, journalist all rolled in to one. The fact that he could
do justice to each one of these endeavors while pursuing a full fledged
teaching career speaks volumes about his capacity for hard work and commitment
to the chosen cause. In addition to all this, he took up the responsibility of
fostering young writers by starting ‘Prabuddha Karnataka’ a quarterly journal
in Kannada.
A.R.K. was born in
He was appointed as a
lecturer in Kannada at
He was transferred to the Oriental Library at
The contribution of A.R.K. to Kannada literature and
scholarship has to be enumerated in different categories.
1.
Keladi
Nrupa Vijayam by Linganna (assisted R.Shamashastry)
2.
Dharmamritam
by Nayasena (assisted R. Shama Shastry), 1924, 26
3.
Harishchandra
Kavya Sangraha by Raghavanka (With T.S.V.) 1931
4.
Kavijihvabandhanam
by Eshvara Kavi
1952
1.
Naga
Mahashaya 1939
2.
Nibandha
Malaa 1963
3.
Sri
Ramakrishna Paramahamsara Charitre (With T.S. Venkannaiah) 1917
4.
Swami
Shishya Samvada (With T.S. Venkannaiah) 1923
3. Original Works:
1. Samskrita Nataka 1937
2. Bankimachandra 1960
3. Sarvajna 1948
4. Vachana Bharatha (Based on Vyasa Bharatha) 1950
5. Kathamritha (Based on Katha Saritsagara) 1952
6. Nirmala Bharathi (For Children) 1960
7. Sripathiya Kathegalu (Short
Stories) 1948
8. Bhashanagalu mattu Lekhanagalu 1948, 1949
9. Kannada Kaipidi, Part 1, Kavya Lakshana 1927
A detailed
review of all these works is not possible in this context. It will suffice to
say that every one of them has survived to this day. He was one of the makers
of Modern Kannada Prose. Generations of readers were introduced to chaste and
standard Kannada by Vachana Bharatha and Kathamritha. It is said that a book
like ‘Bankimachandra’ does not exist even in Bengali. ‘Samskritha Nataka’ is
informative, analytical and critical all at once. He has written a couple of
stories that are anthlogised even to this day. His critical review of ‘Tollugatti’
raised some seminal questions. Prabuddha Karnataka was virtually the cradle of
creative literature, criticism and research in the first half of the twentieth
century.
Krishna
Shastry won the